Explorations of the ephemeral nature of light and shadow seeking to expose transparency and personal projection. Working in inky darkness with just a single lamp to illuminate a scene, I produce slightly eerie filmic and domestic scenes shrouded in shadows. One becomes aware of a deep, yet closeted space, underneath the shadows that draw you inward, as if you are looking deeper into an unknown and unconscious space.
With black chalk on blacker chalk, the scenes that emerge reflect fragments of life, that question personal projection and transparency in the public domain. As a gay man I'm often uncertain about being completely transparent in spaces of public South Africa and at times find myself moving in the proverbial shadows.
In my diptychs of the same interior space in differing lighting states, the shadows morph as one views a subsequent work in series. There is a double take as shadows have morphed. A syntagmatic structure is created pushing the boundary of the space-time paradigm. An emergence, a reckoning and a poetry of projection and perception. Like two frames of a film, capturing a sense of time.
Staged in the studio and lit with a Caravaggesque treatment that reduces objects to flat black shadow. Viewing these works from the distance, they appear as vacant black voids, yet peering onto their black surfaces, awareness deepens of the depth of shadow beneath and one visits this closeted darkness as it lies unconscious.
Disclosing Projection Frame 1 + 2Chalk Pastel on Fabriano Elle Erre
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Interview with Art Meets TV @artmeetstv